The Fairies Who Taught Women to Weave

In Sardinia, handweaving is an ancient and revered art, one so complex and magical that legends say the Jana (fairies) taught Sardinian women how to construct looms and weave.

The version below is translated from the story as written by Bruna Cossu and posted on her Facebook page Brujana. With her permission, I’ve translated her words and posted both the English and Italian versions on this website.

Once upon a time, an eternal god was flying through infinity. The god was omnipotent yet also very bored. It seemed to him that the greatest happiness would be to have desires. He began to search for Earth and humans, because he knew that humans were the best suited to dream the impossible. 

However, once he found Earth, he discovered that humans had not learned to dream. The planet’s population was like a swarm of ants: the men fought amongst themselves and sought to complicate their lives in all ways, yet they had not learned to dream. They did everything except dream. 

Then the god, determined, said: “I will be the first man to dream”. He searched all over the earth for an uninhabited place where he could live alone, and he found it in a small island in the the shape of a footprint: Sardinia. This island was still wild, full of rocks. The god concentrated and made himself into a man, but he chose to make himself old, because in order to have desires, he would have to make effort.

On the island, he had at his disposal stones, cork trees, and a swarm of bees that followed him everywhere. Understanding the nature of what he had available, he assembled it: With simple human arms, he constructed the first hive, thus solving the issue of hunger. 

One day, while sleeping, the god was disturbed by a bee. With an involuntary swipe of his hand, he shooed away the bee. However, in doing so, the god let fly a spark of divine power. In one instant, the entire hive was transformed into a group of incredibly small goddesses: The Janas were born. 

These Janas occupied the human dimension by pretending to be women — and being prophets by nature, they knew that human women would soon arrive on the island. In the meantime, the Janas dug houses out of the rocks and furnished them, always play-pretending at being women in the same way young girls play at being women.

One day, the first human ship arrived on the horizon, from an uncertain location, and bearing an unknown people. It was a rude group, wild, a bunch of warriors. The Janas immediately became interested in the women and flew among their heads, convincing them to leave the heavy work to the men. 

In this way, women finally entered the world of the Janas, where the women learned to spin and to weave at looms prepared by the fairies who had been bees — fairies who had an innate, genetic understanding of geometry, and who constructed looms with extreme rigor and precision. And the women themselves brought an essential quality: Patience. Working together, the rigor of the Janas and the patience of the women fostered the ideal conditions for the birth of creativity. 

And so was the beginning of how Sardinian women came to weave their rhythmic, symbolic textiles, weaving even today as they did then.

Sources: 

Note: Sardinia’s tessitrici artigianali — the women weavers who work by hand in the old ways — are truly extraordinary, and rare. Only a handful remain working as professionals on the island. Learn more about these unique, independent, and wonderful women on the Sardinian Arts page Meet the Artists, which is a portal to their work and contact information.

© 2013 – 2024 Kelly Manjula Koza | All Rights Reserved

The Gem of Agriturismo Nuraghe Tuttusoni

Gallura, the area of Sardinia of which I dreamt as a kid, is the place on this planet that feels like home to me. For me, Gallura embodies and expresses the beauty, the nature, the spirit, the heart of Sardinia in a way that’s beyond what words or even pictures can express. 

Within Gallura, the gem of Agriturismo Nuraghe Tuttusoni shines. 

Capture a glimpse of magic in this 2019 video. Scroll down to read more and find contact information.

Agriturismo is the Italian word for a working farm that has guest cottages/apartments, and usually a restaurant and shop offering their hand-made food. While abundant across Sardinia, not all agriturismi are equal. Agriturismo Nuraghe Tuttusoni is, in my experience, the diamond. Da non perdere, not to miss. 

In the most beautiful of locations minutes from the sea, Tuttusoni offers unparalleled hospitality in a restaurant where their own and local wines complement food beyond compare; in comfortable guest rooms; and in a beautiful, relaxing environment curated by truly embracing family-staff. I can’t even begin to describe the feeling of being here!

For a truly refined and magical experience of Gallurese country hospitality, food, beauty, and life — come!

Giovanna, Michela, Rosa, Angelo, Leo, and staff welcome you. 

Contact

Agriturismo Nuraghe Tuttusoni 

Località Portobello, Aglientu OL 07020 Sardegna, Italia

info@nuraghetuttusoni.it

www.nuraghetuttusoni.it

© 2013 – 2024 Kelly Manjula Koza | All Rights Reserved

Il Tramonto Sunset at Alghero, Sardinia

Il tramonto ad Alghero, Sardegna, con una bellissima vista di Capo Caccia. Non è accompagnata da una colonna sonora. Il video è stato registrato 2018 09 20 dal muro della vecchia città, senza treppiede o manicotti per il microfono, e le sonore ambiente erano quelle della città, rumorose; perciò, sono stati eliminati.

Sunset at Alghero, Sardinia, with a beautiful view of Capo Caccia. It’s a silent video. The video was recorded from the old city walls on 2018 09 18, without tripod or wind muff, and the ambient sounds were loud city noises, so they’ve been removed.

E’ lungo e forse noioso. . . o no!

This is cross-posted on Tramite.org.

© 2013 – 2024 Kelly Manjula Koza | All Rights Reserved

NY Times’ T Magazine Article Featuring the Frongias

On September 13, 2018, The New York Times’ T Magazine published How Sardinian Weaving Nearly Became a Lost Art, featuring Isa Frongia, Susanna Frongia, and Anna Maria Pirastu.

I’m thrilled that awareness grows about the handweavers and their art, as this helps build a sustainable future for handweaving and handweavers in Sardinia! I was also happy to learn that the article was in great part inspired by my documentary I Want to Weave the Weft of Time.

The direct link to the article is https://www.nytimes.com/2018/09/13/t-magazine/sardinian-weaving-woven-textiles.html.

~ Kelly Manjula Koza

The 2017 Exhibit: Common Questions Answered

When people learn of Sardinian Textiles: An Exhibit of Handwoven Art, held at the Italian Cultural Institute – San Francisco in winter 2017, I’m usually asked a number of questions about organizing and producing the event. The most common questions are:

Will you have another show?

and

How long did it take to organize the show?

For the sake of answering these questions publicly and recording a bit of history about the event, I’m answering the questions here.

Will you have another show?

Yes, will have another. My plan is to have an exhibit featuring the art of select handweavers with whom I work directly. The exhibit will be held at a private gallery space where textiles will be available for sale. (Due to customs, legal, and other reasons, we were not able to sell textiles at the 2017 event).

How long did it take you to organize the show?

This is the most common of the many questions I’m asked regarding the challenges I encountered putting together the 2017 exhibit of Sardinian handwoven textiles.

Organizing the show took three years.

I conceived the idea of the show at the beginning of 2014, and in October 2014, I first attempted to meet with Baingio Cuccu, the Director of The Sardinian Regional Textile Museum (MURATS) in Samugheo about my proposal. Although Baingio was not able to meet with me at that time, I emailed him in November, and in December of 2014, I met with Paolo Barlera, then Director of the Italian Cultural Institute – San Francisco (IIC-SF) to propose the show. Paolo was enthusiastic, and I began to solidify the groundwork for the exhibit. I presented the memorandums of understanding (MOUs) outlining key aspects and responsibilities of the exhibit to MURATS and the IIC-SF in March of 2015.

Of course, over the next few years, there were many visits to Sardinia, visits to weavers, and meetings with interested parties, as well as volumes of emails, phone calls, press releases, and paperwork, ending only when all textiles were returned to the weavers in Sardinia after the show. (In addition, I organized a related event, Intrecciati, hosting visiting artist Silvio Betterelli. This event spanned Milano, San Francisco, and other locations, and was a complex project in itself to organize.)

Ultimately, several months before the exhibit, Paolo at the IIC-SF was able to obtain official sanction for the event from the Consulate General of Italy and the Region of Sardinia, which was a deeply appreciated level of recognition for the exhibit. The show opened on January 19, 2017 and ran through February 24, 2017. 

While the pathway to the exhibit’s opening night certainly presented many challenges, and the timing and elements of the show were ultimately a bit different from what I had initially envisioned, I and many others consider the show was a success. Many people were to thank for their participation; see this page, where I expressed my gratitude to everyone!

While I am not posting every milestone date or key detail of the nearly three-year road to realizing the exhibit, I am posting below the dates of the initial meetings and the MOUs, as they are a bit of history.

Timeline of Key Events

  • 2014 10 18  — Kelly visits MURATS in Samugheo, requesting a meeting with Baingio during her time in Samugheo to discuss her proposal for an exhibit of handwoven Sardinian textiles to be held in San Francisco. Baingio is not available. 
  • 2014 11 04 — Kelly emails Baingio at MURATS, expressing her regrets that he was not available to meet during her recent trip to Samugheo, stating she would like to meet with him soon to discuss her proposal. Weaver Isa Frongia talks with Baingio to confirm Kelly’s desire to organize such a show. 
  • 2014 11 26 — Baingio replies to Kelly’s email, conveying his regrets that he was not available to meet in person when she was in Samugheo.
  • 2014 12 14 — Kelly emails Paolo at the IIC-SF, requesting a meeting to propose the exhibit of handwoven Sardinian textiles be held at the Italian Cultural Institute – San Francisco.
  • 2014 12 18 — Kelly meets with with Paolo at the IIC in San Francisco to propose the idea of the exhibit; the two meet several times after this and before Kelly’s March 2015 trip to Sardinia. 
  • 2015 03 13 — Kelly meets with Baingio at MURATS in Samugheo to discuss the idea for the exhibit and present the MOU to Baingio in person.
  • 2015 03 26 — Kelly emails Paolo the MOU for IIC-SF as well as a copy of the MOU presented to MURATS.
  • 2015 04 to 2017 01 — Kelly makes five trips to Sardinia in addition to working in San Francisco to realize the project.
  • 2017 01 19 — The exhibit opens. 

Key Agreements

For history’s sake, copies of the key agreements are attached.

The Memorandum of Understanding (MOU) with the IIC-SF and the Memorandum of Understanding (MOU) with MURATS; both were in English and Italian.

Thanks again to all who helped make the show a success!

~ Kelly Manjula Koza

© Kelly Manjula Koza unless otherwise noted.