Speaking and Teaching Engagements

Would your weaving guild, craft studio, art class, or group like to learn more about beautiful Sardinian textiles, the amazing women who weave them, and Sardinia itself?

Would you like to have a private screening and question/answer session with the maker of the documentary I Want to Weave the Weft of Time? See additional and/or unpublished video footage and photos of the weavers in the film, and other weavers at work? See and feel the textiles in person (in-person events only)?

I would love to arrange an in-person or internet-based talk or presentation for your group. I am well-versed in presenting to audiences large and small online or in person (when we can again!) and can discuss the weavers, their art, and Sardinia in a way that captivates your group.

Contact me to discuss options and timing.

For online presentations, I generally request an honorarium based on the type and size of your group. ONLINE PRESENTATIONS ARE FREE FOR SCHOOL AND GUILD EVENTS DURING THE PANDEMIC OF 2020. For in-person presentations, I request at least travel expenses be paid by your group.

Thanks to Flavia Loreto for her photo!

© 2013 – 2021 Kelly Manjula Koza | All Rights Reserved

Trunk Shows and Exhibitions

Would you like to see handwoven Sardinian textiles in your city? Perhaps you’d even like to purchase one, after viewing it and feeling it?

I’m arranging trunk shows, where the textiles will be shown in small groups to those interested in seeing and purchasing them, as well as exhibitions, where textiles will be displayed for some time, and, depending upon the venue and the type of exhibit, may available to purchase.

I will attend the events to discuss the textiles, the artists, and present photos and video clips of the weavers and Sardinia. I can also arrange to show my documentary I Want to Weave the Weft of Time and answer questions at opening nights and related events.

If you’re interested in hosting such an event, or having one in your area, please contact me.

Schedule

Given the pandemic of 2020 and early 2021, I am offering online presentations at regular intervals. If interest permits, I would like to have in-person or at least online trunk shows mid-to late 2021.

© 2013 – 2021 Kelly Manjula Koza | All Rights Reserved

NY Times’ T Magazine Article Featuring the Frongias

On September 13, 2018, The New York Times’ T Magazine published How Sardinian Weaving Nearly Became a Lost Art, featuring Isa Frongia, Susanna Frongia, and Anna Maria Pirastu.

I’m thrilled that awareness grows about the handweavers and their art, as this helps build a sustainable future for handweaving and handweavers in Sardinia! I was also happy to learn that the article was in great part inspired by my documentary I Want to Weave the Weft of Time.

The direct link to the article is https://www.nytimes.com/2018/09/13/t-magazine/sardinian-weaving-woven-textiles.html.

~ Kelly Manjula Koza

The Indescribable Energy of Beautiful Handwoven Sardinian Textiles

Traditional Textiles Samugheo, Orange + Black

Sardinian Arts doesn’t have push-button online ordering. Here’s why:

Fine handwoven Sardinian textiles are made one at a time by the hands of weavers who put their heart into each row and fiber of every weaving. This care and attention imparts a tangible energy into each weaving — and it’s this indescribable quality of love that makes the textiles so special, even beyond the museum-quality refinement of the craftsmanship apparent in each.

This essence, this quality is rare in the modern world.

I want to honor this uniqueness in the textiles, in the weavers, in you who seek to increase and cultivate these qualities in your life and your home. I want to help you find the right textile and offer you a connection to the integral spirit and beauty found in the traditional Sardinian handweavings.

Push-button online ordering breaks the connections. It commoditizes the weavings, annihilates the presence and individuality of the weavers, and turns you into a nameless consumer.

I don’t want to do that. The beautiful handwoven textiles of Sardinia offer a portal to a connection we all seek, and I honor this. It’s part of what I consider fair trade.

Please contact me if you want to know more and experience the textiles.

~ Kelly Manjula Koza

© 2013 – 2021 Kelly Manjula Koza | All Rights Reserved

Handmade or Hand-decorated?

All too often across the world, items are classified as “handmade” when they are really not.

When the term “handmade” is used to market items that are not made by hand by an artesian, many problems arise, and the buyer, the artesian, and even the commercial makers of related products suffer. The buyer often pays too much; the artesian earns too little; and the commercial makers have difficulty maintaining quality and production in their home area.

This has been evident in food as well as textiles across the world (when you think of Parmesan cheese, do you think of a heavy round of solid cheese, a bag of shredded cheese, or green can?)

The European Union recognizes different classifications of traditional food to make certain we don’t confuse the green can that has nothing to so with Parma, Italy with the traditional cheese round produced in homes and cheese-making facilities in the Parma region, it’s important that Sardinian textiles are classified accurately with reference to the method and place in which they are made.

The textiles classifications Sardinian Arts uses and maintains are listed below. Any item we offer is accurately classified with integrity according to this system. Kelly personally visits weaving studios, custom shops, and mills to meet owners and verify how textiles are made. We are also working with weavers and others in Sardinia to adhere to this classification system to ensure the integrity of textiles “Made in Sardegna” and ensure the weavers, producers, and artists of Sardinian are treated with respect and that their items are sold in a fair and sustainable manner.

Hand made, Hand-decorated, Mill-made Classifications

The classifications are

  • Handmade textiles: Textiles made completely by hand, using looms where all the movements and beating are done only by hand/foot, and not by a hydraulic, electronic, or computerized loom.
  • Hand-decorated textiles: Textiles made by hydraulic, electronic, or computerized looms, where all the beating is not done by hand/foot. The weavers stops the mechanical beating of the loom to make pibiones and/or add other decoration by hand.
  • Mill-made textiles: Textiles made in mills, by hydraulic, electronic, and/or computerized looms with minimum human involvement, and often where many similar objects are produced at the same time.

All the classifications permit:

  • The use of fibers prepared in mills.
  • The use of a sewing machine, if the use is to make seams/hems after the weaving is cut from the loom and the seams/hems are not decorative.

The use of fibers prepared by hand without hydraulic, electronic, or computerized tools can be indicated with the label “Hand-spun fibers”.

Questions?

If you have any questions about whether the textiles you are buying are handmade, hand-decorated, or mill-made, please contact me.

© 2013 – 2021 Kelly Manjula Koza | All Rights Reserved

If you would like to copy the textile classifications text to use on your own site or collateral, kindly include this credit and link: “Textile classifications as defined on SardinianArts.com.”

How It Came to Be: The Film “I Want to Weave the Weft of Time”

I Want to Weave the Weft of Time grew serendipitously from the love of weaving, great appreciation of the women who continue the nearly-lost tradition of hand weaving in Sardinia, and the desire to share the art, lives, and importance of the weavers with the world.

When I first went to meet the weavers, I didn’t have a videocamera with me: I didn’t intend to film, much less make a documentary.

I wanted to meet the women who were Sardinia’s traditional weavers, learn about their particular weaving tradition, and bring a few textiles back to the United States. After meeting several weavers across the island, I called Isa and asked if I could return to Samugheo to video her, Suzanna, and Anna Maria. I had only my iPad — not the video cameras I had used to capture documentary footage for other projects! At most, I thought I would film a few minutes of the women working and make a 10-minute video to demonstrate the process of weaving.

I ended up filming for several hours that day, and then returned to Sardinia after a few months to visit and capture additional footage for what I still thought would be a very short video.

In the interim, Bruna had met the Frongias. While she lives in a town an hour or two away, Bruna by chance came to visit the Frongias the day I returned to Samugheo to film. As Isa prepared lunch, Bruna agreed to tell me the story of how she came to meet the Frongias and start to learn to weave. Her talk was entirely spontaneous, and absolutely perfect. I couldn’t have better scripted what she said: It was also what I felt about the weavers, their art, their lives, and the role they maintain, not just in terms of maintaining an artistic tradition, but in propagating a way of life that many in the modern world seek.

We filmed in the studio, with the kitchen (and the sounds of food preparation) above. Months later, when I showed Bruna the finished film, she told me she had completely forgotten that she talked with me! She also didn’t realize that the film’s title came directly from her statement, “tessere le trame del tempo”. Bruna forgot she had told me of the dream, and thought the title a coincidence!

As I was editing the footage, friend Ruth Mendelson – an amazing composer of wonderful original scores for documentaries — saw the draft, encouraged me, and agreed to compose and record the soundtrack. Ruth’s enthusiasm and support propelled me, and the truly heartfelt, complex tapestry of music she scored for the film perfectly captures the feeling of the women, the complexity of the weavings, and the mix of ancient and modern cultures that are Sardinia. Ruth’s score carries the film to a level that’s truly synergistic, much more than the sum of its parts.

I hope you’re as enchanted and moved watching this as we were making I Want to Weave the Weft of Time. The women have adopted me as family, and the film is truly a work of the heart.

Visit WeaveWeftofTime.com to see the film!

~ Kelly Manjula Koza

© 2013 – 2021 Kelly Manjula Koza | All Rights Reserved